Art and Music I and II

Richard Tuttle’s contribution to the 1987 Skulptur Projekte is made up of two parts that look the same at first glance, but possess completely different energies. The work is made more complex by the fact that the two elements can’t be seen at the same time. Installed somewhat inconspicuously in the passageway to the Fürstenberghaus, the philosophy faculty of Universität Münster, these sculptural elements are reminiscent of punctuation marks or clefs, each conveying a different tone. The two elements are made of white lacquered wood. They are both curved into the shape of a pointed bracket with a rounded head that appears to be balanced on a support. One of the elements faces inward in the corner of the passageway; the other is mounted outside on corrugated steel plates with its tip pointing outward. With this sculpture, the artist hopes that “a kind of platonic idea of balance can communicate itself.” Instead of the sculptures, the viewer should consider the energies of the location and the city.


Richard Tuttle

1941
in Rahway, New Jersey/USA, geboren, lebt in New York.
1962
Studium am Pratt Institute of Design in Brooklyn
1964
Bachelor of Fine Arts am Trinity College Hartford, Connecticut und Wechsel an die Cooper Union for the Advancement of Science and Art in New York.
1965
Erste Einzelausstellung in der Betty Parsons Gallery New York.
1969
Teilnahme an der Ausstellung „When Attitudes Become Form“ in der Kunsthalle Bern, dadurch zunehmende Bekanntheit in Europa.
1972, 1977 und 1982
Teilnahme an der Documenta in Kassel.
1998
Kunstpreis Aachen.
2008
Wahl zum Mitglied der American Academy of Arts and Sciences.
2012
Wahl zum Mitglied (NA) der National Academy of Design, New York.

← Zur Startseite
Location
Münster
Domplatz, Fürstenberghaus, 48143 Münster
Artist
Richard Tuttle
Year
1987
Size
1: 200 x 73 x 75 cm, II: 200 x 200 x 30 cm
Material
I: wood, II: wood, steel