Brunnen / Fountain

Ewald Mataré did not live to see the realization of his last great work. Instead, his student Herbert Belau completed it using a clay model that the artist left behind. The fountain’s design is based on the topography of the city of Hagen: the four water spouts mounted on the outside of the circular basin represent the four rivers – Volme, Ennepe, Lenne, and Ruhr. A cascading element rises out of the middle of the basin and symbolizes the water supply from the Haspe dam.
The fountain’s design appears organic and futuristic at the same time. It is dominated by curved arches that simultaneously manipulate and follow the flow of water; in turn, the artistic form and the natural element function as a balanced unit. The cast iron waterspouts and the cascade are based on abstract forms of fish and coral.
Best known for his animal sculptures, Mataré’s work always featured condensed and abstracted representations of nature. For him, it was a return to the origins – to the harmony between artistic creation and natural environment.

Further reading:
Public Art Ruhr. Die Metropole Ruhr und die Kunst im öffentlichen Raum. Eds. Walter Smerling and Ferdinand Ulrich on behalf of the RuhrKunstMuseen, Cologne 2012, ISBN 978-3-8632-134-0, pp. 112–113.


Ewald Mataré

1887
geboren in Aachen; 1965 gestorben in Büderich (heute Meerbusch) bei Neuss.
1907
Studium an der Kunstakademie in Berlin.
1920
Hinwendung zu Grafik und Bildhauerei.
1923
erste Einzelausstellung in der Galerie Neumann, Berlin.
1932
Berufung an die Kunstakademie Düsseldorf.
1933
Entlassung durch die Nationalsozialisten.
1945–1957
wieder Professor an der Kunstakademie Düsseldorf.
Seit 1947
bedeutende öffentliche Aufträge.
1955 und 1959
Teilnahme an der Documenta in Kassel.
1958
Großes Verdienstkreuz der Bundesrepublik Deutschland.

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Location
Hagen
Hagen, Friedrich-Ebert-Platz
Artist
Ewald Mataré
Year
1964
Size
Circumference: 10 m, height: ca. 4 m
Material
Iron, concrete
Object type
Fountains
Kunst im öffentlichen Raum NRW