Roter Hase / Red Hare

The hare, whose design is based on a plasticine figure by the artist’s daughter, is enthroned – equally demonic and ridiculous – like a “drop sculpture” on a concrete “circular thickener” in the park on the grounds of the former Lohberg mine. The disconcerting effect of this sculpture is caused mainly by the fact that the huge, bloated, wrinkled and unstable body of this hare-human-hybrid definitely seems “improvable” but was nonetheless painted in a high-gloss, signal-red finish like one of the perfectly reproduced giant objects of an American pop artist. In this context, the hare can definitely be interpreted as a humorous signal heralding a new (better?) age, a new beginning.

Apart from using a relic of the industrial past as a pedestal, the sculpture makes no reference in form or content to its site, today’s “Bergpark Lohberg,” a park with a creative quarter in which relics of its industrial past have remained visible: It is located in the northern part of the former mine, where the timber and material yards, coal preparation as well as loading docks and a freight yard used to be. The “circular thickener” itself is reminiscent of a sedimentation tank and had a similar function, namely purifying water. A walkway runs around the empty basin at whose centre the larger-than-life hare is installed. In the immediate vicinity is the concrete building of the flotation sludge thickener which, comparable to a coffee filter, separated fine sediments from water. The sculpture, which also exists as a gargoyle in a bronze version, found its way here as part of the project “Choreographie einer Landschaft” (Choreography of a Landscape), designed to revive the grounds of the disused mine. In this instance, the artist produced it with a fibreglass laminated polystyrene core covered in a weather-resistant coating in signal-red “flip flop” varnish, which also provides the greatest possible contrast to a rather grey-green environment.

More on this:
Kunstwerke im öffentlichen Raum von Dinslaken

www.kreativ.quartier-lohberg.de


Thomas Schütte

1954
geboren in Oldenburg; lebt und arbeitet in Düsseldorf.
1973–1981
Studium an der Kunstakademie Düsseldorf bei Fritz Schwegler und Gerhard Richter.
1979
erste Einzelausstellung.
1987, 1992, 1997
Beteiligung an der Documenta in Kassel.
2005
Teilnahme an der Biennale in Venedig, Auszeichnung mit dem Goldenen Löwen.
2007
Auswahl eines Werkes von Thomas Schütte für den vierten Pfeiler des Trafalgar Square.

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Location
Dinslaken
Bergpark, 46539 Dinslaken
Artist
Thomas Schütte
Year
2014/15
Size
height ca. 400 cm, length and width ca. 300 cm
Material
polystyrene core with weather-resistant coating, „flip flop“ varnish.
Object type
Sculpture