{"id":30439,"date":"2018-10-23T11:32:53","date_gmt":"2018-10-23T09:32:53","guid":{"rendered":"https:\/\/nrw-skulptur.net\/route\/skulpturen-in-paderborn\/"},"modified":"2019-07-11T11:56:21","modified_gmt":"2019-07-11T09:56:21","slug":"skulpturen-in-paderborn","status":"publish","type":"sculpture_maps","link":"https:\/\/nrw-skulptur.net\/en\/route\/skulpturen-in-paderborn\/","title":{"rendered":"Sculptures in Paderborn"},"content":{"rendered":"

The Paderborn sculpture tour starts in front of the Hauptbahnhof. There you will find Christian Hasucha’s sculpture of a tree, titled Sp\u00e4ter sein wird \/ Will Be Later<\/em>. Several other works are concentrated in the area within the historic city wall,\u00a0 surrounding the Dom, the Kaiserpfalz, and Abdinghofkirche. This is also where two Paderborn public art projects took place: In 2003, Lichtszenario Stadtmauer Paderborn. 7 T\u00fcrme \u2013 7 Lichter<\/em> was initiated to create new awareness of the historical city wall that had largely disappeared. Tatort Paderborn<\/em> brought new life to the city center with temporary exhibitions in 2007 and 2014. From those exhibitions, two works remain on permanent display \u2013 Die Glocke \/ The Bell<\/em> (2007) and Chairs to Share<\/em> (2014). If you go for a longer walk to the university outside of the city center, you can take a break at Yuji Takeoka’s Dialog im Stillen \/ Dialogue in Silence<\/em>.<\/p>\n

 <\/p>\n","protected":false},"featured_media":38620,"template":"","sculpture_maps_tempo":[15078,15079],"sculpture_maps_region":[15073],"class_list":["post-30439","sculpture_maps","type-sculpture_maps","status-publish","has-post-thumbnail","hentry","sculpture_maps_tempo-fahrrad","sculpture_maps_tempo-zu-fuss","sculpture_maps_region-ostwestfalen-lippe"],"acf":{"sm_sculptures":[{"ID":27206,"post_author":"1","post_date":"2017-06-06 23:22:31","post_date_gmt":"2017-06-06 21:22:31","post_content":"This wall sculpture by Norbert Radermacher was created as part of a project series on autonomous contemporary art in sacred spaces in Paderborn with a focus on location-based art: a work is not added to a given location, but instead the space and the artistic intervention form a new sensory experience together.\r\nThis artwork can be found on Dompropsteigasse, a walled alleyway at the junction between the historic Domplatz and the civil city. The two bowl-shaped cavities are carved into the stone walls directly across from each other at a point where the street becomes more narrow.\r\nIt is a work that doesn't impose itself onto the viewer, but instead waits to be discovered. Only then does a new definition of the location emerge: the space between the two elements gains significance, causing the viewer to pause and consider the surroundings, as well as the emptiness and silence. \r\n","post_title":"Das Dazwischen \/ The In Between","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"das-dazwischen","to_ping":"","pinged":"","post_modified":"2018-08-17 18:31:26","post_modified_gmt":"2018-08-17 16:31:26","post_content_filtered":"","post_parent":0,"guid":"https:\/\/nrw-skulptur.net\/skulptur\/das-dazwischen\/","menu_order":1269,"post_type":"sculpture","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":27544,"post_author":"1","post_date":"2017-06-06 23:23:13","post_date_gmt":"2017-06-06 21:23:13","post_content":"Hans Peter Kuhn created a light and sound installation for the Heiersturm in Paderborn as part of the project Lichtszenario Stadtmauer Paderborn. 7 T\u00fcrme \u2013 7 Lichter<\/em> in 2003\/2004. In order to raise awareness of the historical city wall, which had largely disappeared through modern urban expansion, international artists were invited to engage with the wall and its towers.\r\nWith its remaining segments of the wall and spacious surroundings, Hans Peter Kuhn chose the Heiersturm for his work as a placeholder and representative of the entire wall and its historic significance. The long neon lights installed along the upper section of the tower not only light the structure and serve as modern counterpoints, but also draw attention to the surrounding city.\r\nAs a composer and sound artist, Kuhn supplemented his light installation with a sound collage that plays through six speakers, providing the attentive listener with an additional sensory encounter. In this work, new visual and acoustic sensations merge into a holistic and emotional experience of history and the present.","post_title":"Heiersturm","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"heiersturm","to_ping":"","pinged":"","post_modified":"2018-11-20 17:11:41","post_modified_gmt":"2018-11-20 16:11:41","post_content_filtered":"","post_parent":0,"guid":"https:\/\/nrw-skulptur.net\/skulptur\/heiersturm\/","menu_order":1235,"post_type":"sculpture","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":27600,"post_author":"1","post_date":"2017-06-06 23:23:04","post_date_gmt":"2017-06-06 21:23:04","post_content":" \tThe Jewish Memorial<\/em> was constructed at the site of the former synagogue in Paderborn. The synagogue stood in this location from 1882 until November 9th-10th 1938, when it was set on fire and destroyed during Kristallnacht. The memorial was unveiled in 1993 to commemorate the fate of the Jewish citizens, as well as the victims from the former Jewish labor camp and Jewish orphanage in Paderborn. \r\nDanish artist Per Kirkeby has been creating brick sculptures in public spaces since 1973. His entry to the 1987 Skulptur Projekte in M\u00fcnster resulted in a tension between aesthetics and purpose. The memorial had to fit into its immediate surroundings, but also remain \"angular and, to an extent, off-putting.\" Constructed out of red and yellow brick, his sculpture is reminiscent of an architectural fragment with three round arches. \r\nHowever, with its black, non-functional window openings and blocky overall shape, it seems more like a sculpture and is an unmistakable reference to a building that no longer exists. It asserts that the story behind it should be remembered.\r\n","post_title":"J\u00fcdisches Mahnmal \/ Jewish Memorial","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"juedisches-mahnmal","to_ping":"","pinged":"","post_modified":"2018-10-06 16:09:48","post_modified_gmt":"2018-10-06 14:09:48","post_content_filtered":"","post_parent":0,"guid":"https:\/\/nrw-skulptur.net\/skulptur\/juedisches-mahnmal\/","menu_order":1243,"post_type":"sculpture","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":27882,"post_author":"3","post_date":"2018-10-16 09:14:52","post_date_gmt":"2018-10-16 07:14:52","post_content":"Josef Rikus's Neptune Fountain<\/em> is a landmark in the city of Paderborn. As early as 1730, the first Neptune Fountain<\/em> was erected on the Domplatz as a gift from Prince-Bishop Clemens August. Previously, there had already been two additional fountains that were located near the cathedral and belonged to the city waterworks, which was one of the earliest central supply systems in Germany. The old Neptune Fountain<\/em> was destroyed in an air raid in 1945. For the city's 1200th anniversary in 1977, a citizen's initiative donated a new fountain and commissioned Josef Rikus for its execution. This is how the city got a new Neptune in 1979. In Paderborn, the Roman god of flowing waters is often evoked in reference to numerous sources pertaining to the Pader river. The larger than life depiction of Neptune is situated in the center of a round stone basin. He can be identified by the characteristic trident in his hand. While the head and parts of the upper body have a relatively natural appearance, the lower body increasingly decomposes downward into layered abstract horizontal segments. The segments are bathed in water from below and some even serve as water spouts. In this way, the artist represents the water\u2019s simultaneously formative and decomposing forces.","post_title":"Neptunbrunnen \/ Neptune Fountain","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"neptunbrunnen","to_ping":"","pinged":"","post_modified":"2018-10-24 08:14:58","post_modified_gmt":"2018-10-24 06:14:58","post_content_filtered":"","post_parent":0,"guid":"https:\/\/nrw-skulptur.net\/skulptur\/neptunbrunnen\/","menu_order":352,"post_type":"sculpture","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":28031,"post_author":"1","post_date":"2017-06-06 23:22:29","post_date_gmt":"2017-06-06 21:22:29","post_content":"Wilfried Hageb\u00f6lling, who currently lives in Paderborn, often prefers to construct his sculptures out of Corten steel, which develops a rust-brown patina when exposed to the elements. He has created numerous public sculptures, most of which are directly related to their respective locations.\r\nHowever, this work has already effectively been installed in several locations. The sculpture consists of three steel elements: one rectangular plate rests flat on the ground; the next has one corner on the ground with a vertical irregular trapezoid welded to it; the third has one corner bent upright at a right angle.\r\nWhen looking at the vertical elements, the viewer automatically incorporates the trapezoid as part of another rectangle, imagining the missing corner embedded into the ground; likewise, the triangle could be seen as the corner of a rectangle poking up out of the ground. In this way, the artist turns the viewer into his accomplice in order to create the image of a powerfully dynamic construction that manages to grow beyond its own dimensions.\r\nThree additional public works by Wilfried Hageb\u00f6lling can be found in Paderborn:\r\n

    \r\n \t
  1. Untitled large sculpture<\/em>, 1973\u20131978, concrete, 10 x 10 x 6 m, Sportzentrum Maspernplatz.<\/li>\r\n \t
  2. Untitled<\/em>, 1981, steel, up to 7.5 m tall, at the former telecommunications building (Telekom today),\r\nRathenaustra\u00dfe.<\/li>\r\n \t
  3. T\u00fcr \/ Door<\/em>, 1980\/1981, Corten steel, 5.7 m tall, on the grounds of the Universit\u00e4t Paderborn.<\/li>\r\n<\/ol>","post_title":"Untitled","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"ohne-titel-8","to_ping":"","pinged":"","post_modified":"2018-11-09 12:05:41","post_modified_gmt":"2018-11-09 11:05:41","post_content_filtered":"","post_parent":0,"guid":"https:\/\/nrw-skulptur.net\/skulptur\/ohne-titel-8\/","menu_order":1271,"post_type":"sculpture","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":28085,"post_author":"1","post_date":"2017-06-06 23:23:07","post_date_gmt":"2017-06-06 21:23:07","post_content":"Fran\u00e7ois Morellet turned the Maspernturm in Paderborn into a light artwork as his contribution to the project Lichtszenario Stadtmauer Paderborn. 7 T\u00fcrme \u2013 7 Lichter<\/em> in 2003\/2004. In order to raise awareness of the historical city wall, which had largely disappeared through modern urban expansion, international artists were invited to engage with the wall and its towers.\r\n\r\nFran\u00e7ois Morellet has been working with neon since 1963 and creating public artworks since the late 1960s. Likewise, the work\u2019s consistency and geometric arrangement are also characteristic of Morellet's methodical self-discipline. The matching red neon tubes are arranged along the exterior of the tower in a repeating horizontal and vertical pattern. These light lines change every ten minutes, lighting up as plus and minus symbols.\r\n\r\nAccordingly, the installation is titled Plus ou Moins<\/em>, which can be understood as the symbols \"plus and minus,\" but may also be translated as \"more or less.\" However, Morellet is less concerned with a symbolic interpretation than he is with combining order and chance, which uniquely come together with the cylindrical form of the Masperntum.","post_title":"Plus ou moins","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"plus-ou-moins","to_ping":"","pinged":"","post_modified":"2018-11-21 18:41:47","post_modified_gmt":"2018-11-21 17:41:47","post_content_filtered":"","post_parent":0,"guid":"https:\/\/nrw-skulptur.net\/skulptur\/plus-ou-moins\/","menu_order":1241,"post_type":"sculpture","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":28254,"post_author":"1","post_date":"2017-06-06 23:28:07","post_date_gmt":"2017-06-06 21:28:07","post_content":"Helping an apple tree grow into its ideal form.\r\n\r\nWhen you combine the unobstructed space throughout the square in front of Paderborn Hauptbahnhof, the surrounding utilitarian urban elements, and the purist staccato of the new building section, it all appears to be intentionally strung together like a sort of display model. With that in mind, this prototype stencil of an apple tree has been added to the ensemble. Over the course of the next 25 to 30 years, a young apple tree will grow to fill the outline of this \"ideal form\" \u2013 which is an old apple tree that the artist drew from memory.\r\n\r\nPassersby, motorists, and returning visitors will observe the treetop gradually approaching the outline over time. The remaining period of growth can be estimated by the amount of space between the actual tree and the artist\u2019s tree cutout. In turn, it also draws attention to our own aging.\r\n\r\nWith this natural clock, travelers visiting the city at longer intervals will be made aware of the time that has past and the time that remains as soon as they leave the train station. In the future, people seeing the tree for the first time might assume that the city had given it a frame to highlight it as an exemplary tree.\r\n\r\nThere is no desired \"outcome\" for this work. The tree's future form is equally as important as the observed process of its development. This constellation of elements will remain current and relevant for a long period of time.\r\n\r\n(Text: Christian Hasucha)","post_title":"sp\u00e4ter sein wird \/ will be later","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"spaeter-sein-wird","to_ping":"","pinged":"","post_modified":"2019-03-24 11:49:52","post_modified_gmt":"2019-03-24 10:49:52","post_content_filtered":"","post_parent":0,"guid":"https:\/\/nrw-skulptur.net\/skulptur\/spaeter-sein-wird\/","menu_order":1047,"post_type":"sculpture","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":30615,"post_author":"3","post_date":"2018-10-18 09:15:31","post_date_gmt":"2018-10-18 07:15:31","post_content":"Japanese artist Yuji Takeoka's multi-part work is both sculptural and functional. It blends into the space between the new economics building and the main entrance to the Universit\u00e4t Paderborn like a square in a square. There are benches at either end of the 12 by 6 meter rectangle. In front of them, bamboo grows from concrete buckets that are embedded in the ground. The work is distinguished from the surrounding pavement by its light grey floor slabs. Varying bronze elements with a blue-green patina are placed in different locations along ground. With their minimalist appearance, they could be seen as figures from an imaginary board game or as architectural segments. At the same time, they serve a functional purpose as places to sit. Takeoka often brings together eastern and western influences in his art. The minimalist formal language and highly aesthetic and haptic materials used here are characteristic of his work. The result is a \"place of silence,\" a \"spiritual resting place\" that invites both exchange and contemplation.\r\n\r\nwww.nw.de<\/a>","post_title":"Dialog im Stillen \/ Dialogue in Silence","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"dialog-im-stillen","to_ping":"","pinged":"","post_modified":"2019-08-05 14:25:54","post_modified_gmt":"2019-08-05 12:25:54","post_content_filtered":"","post_parent":0,"guid":"https:\/\/nrw-skulptur.net\/skulptur\/dialog-im-stillen\/","menu_order":350,"post_type":"sculpture","post_mime_type":"","comment_count":"0","filter":"raw"},{"ID":30618,"post_author":"3","post_date":"2018-10-16 09:42:23","post_date_gmt":"2018-10-16 07:42:23","post_content":"Henrick Plenge Jacobson's Die Glocke \/The Bell<\/em> has had an eventful history as the subject of numerous debates: it was the Danish artist's contribution to the art project Tatort Paderborn, which was curated by Ingrid Raschke Stuwe in 2007 and explored the theme of \"earthly and heavenly powers.\u201d In 2013 it was part of a temporary exhibition in Roskilde\/Denmark and in 2017 the city of Paderborn decided to purchase and install it in the cloister behind the Stadtmuseum. Depending on where the viewer looks, the bell is situated in line with the Ablinghofkirche or the Dom, that is, in the Christian-influenced city center. The large bronze bell stands on two pedestals made of natural stone; it is positioned so that the clapper can move freely and the inscription running around the edge of the bell can be read. It is a quote from Nietzsche, which reads in English as: \"God is dead. God remains dead. And we have killed him. How shall we comfort ourselves, the murderers of all murderers?\u201d In the context of its religious surroundings, this inscription has been the cause of much controversy regarding the bell. In particular, the church perceived it as anti-Christian and atheistic. However, the city considered it a concrete means of illustrating a social question of identity. According to a statement: \"A controversial substantive discussion about the various concepts of identity that are also presented in the Stadtmuseum is expressly encouraged.\u201d\r\n\r\nThe fact that the bell has been the subject of such discussions since 2007 shows that art can activate new impulses and initiate discussions in public space, just as it has here on the topic of religious identity in a secularized world.\r\n\r\n \r\n\r\nhttp:\/\/www.nw.de<\/a>\r\n\r\nhttps:\/\/www.nw.de<\/a>","post_title":"Die Glocke \/ The Bell","post_excerpt":"","post_status":"publish","comment_status":"closed","ping_status":"closed","post_password":"","post_name":"die-glocke","to_ping":"","pinged":"","post_modified":"2019-08-05 16:20:49","post_modified_gmt":"2019-08-05 14:20:49","post_content_filtered":"","post_parent":0,"guid":"https:\/\/nrw-skulptur.net\/skulptur\/die-glocke\/","menu_order":349,"post_type":"sculpture","post_mime_type":"","comment_count":"0","filter":"raw"}]},"_links":{"self":[{"href":"https:\/\/nrw-skulptur.net\/en\/wp-json\/wp\/v2\/sculpture_maps\/30439","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nrw-skulptur.net\/en\/wp-json\/wp\/v2\/sculpture_maps"}],"about":[{"href":"https:\/\/nrw-skulptur.net\/en\/wp-json\/wp\/v2\/types\/sculpture_maps"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/nrw-skulptur.net\/en\/wp-json\/wp\/v2\/media\/38620"}],"wp:attachment":[{"href":"https:\/\/nrw-skulptur.net\/en\/wp-json\/wp\/v2\/media?parent=30439"}],"wp:term":[{"taxonomy":"sculpture_maps_tempo","embeddable":true,"href":"https:\/\/nrw-skulptur.net\/en\/wp-json\/wp\/v2\/sculpture_maps_tempo?post=30439"},{"taxonomy":"sculpture_maps_region","embeddable":true,"href":"https:\/\/nrw-skulptur.net\/en\/wp-json\/wp\/v2\/sculpture_maps_region?post=30439"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}