Veselia Hospitalis Archive

Veselia hospitalis / Hospitable Wesel is constructed out of oak beams and is reminiscent of either a house with a pointed roof or an inverted ship’s hull. In fact, both associations are correct.

Artist Victoria Bell created this work on the occasion of a symposium entitled Unter der Erde, which was organized by the Niederrheinischer Kunstverein for the 750th anniversary of the city of Wesel. The task was to make critical parts of the city’s history visible again through contemporary art, particularly those that could only be witnessed from an archeological standpoint because of the destruction caused by World War II. Victoria Bell’s sculpture stands within sight of the Willibrordi Cathedral, making reference to the wooden Ottonian church that preceded it.

In this location, an intersection of various streets, the work also recalls the city of Wesel’s role as a Hanseatic trading hub and as a hospitable place for many travelers of that time. The artist erected a house with interlocking wooden beams and an ark, a symbol of protection and refuge.

Reference: www.niederrheinischer-kunstverein.de/ausstellungen/projekte-unter-der-erde.html


Victoria Bell

1942
geboren in Evanston, Illinois, USA; lebt in Köln.
1961–1965
Smith College, Northampton, Massachusetts, USA; B. A. in Art.
1965–1967
University of California, Berkley, California, USA (Malerei).
1969
Umzug nach Köln.
1985
Stadtkünstlerin in Wilhelmshaven.
1988
Arbeitsstipendium Kunstfonds e. V., Bonn.

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Old location
Wesel
Wesel, Leyensplatz (at the corner of Goldstraße and Brückstraße)
Artist
Victoria Bell
Year
1990
Size
Height 3.60 meters
Material
Oak
Kunst im öffentlichen Raum NRW